Ask those with experience in placing microphones for piano recording and the chances are you will hear of it being an art form rather than a reproducible technique. There is truth in that – as the variables are enormous. On the other hand there are some tried and tested methods, or rather some useful guidelines; here are some of our experiences with a decent grand piano – we have not yet sufficient experience with an upright – but our one experiment (24Nov2017) – open lid, Neumann pair – worked really well, details soon.
For jazz groups and for gigs where instrument sound separation is required for later mastering, close ‘miking’ is essential – but might not be best for smoothness and ambience suited to quieter or classical music situations. Under those conditions, a pair of mics at a half to one meter distance (fully open lid) will give very decent results. However, if there risks to be people noise, then closer placement might still be necessary.
Here is a set-up which we used for a recent jazz group recording – a single pair of Neumann condenser microphones. Actually the sound was excellent; results here. Rules of thumb: place microphone pair above where the high and low strings cross – spread apart for better width pick-up – raise for more body.
A Swiss Radio (RTS/Espace 2) recording we attended at studio 15 in Lausanne – Enrico Pieranunzi trio – piano with 8 mics. (Blog update, 24Oct2017)
DPA’s “d:vote” microphone stereo kit for piano — Esteban Castro at Montreux and manufacturer’s image.
At the AMR/Sud des Alpes concert room with the Grupetto